Night Mercy
Jen Sookfong Lee
2025
If you are awake in the permeable hours before dawn, the quiet is thin, a membrane coating the bodies of sleeping creatures, both those you have invited into your house and the tiny, many-legged ones who live underneath it, nestled in the walls, tucked into the cracks in the siding.
Anything could rip this silence into shreds. Your neighbour’s car alarm, those kids who race down Hastings Street in the middle of the night in cars you wonder who paid for, the feral cat who sits in your garden, yowling at your open bedroom window. Once it was the lady who lives downstairs, who stood on her patio in the summer, shouting that you were trying to ruin her, that you had sent malevolent spirits into her apartment. The certainty in her voice was so tangible that you searched your memory for the moment when you must have opened the vent in the floor and pushed the ghosts through the ducts, where they tumbled and rolled until they fell out of her ceiling, precipitating a haunting so poisonous that it drove her into the hot nighttime air, screaming until the police arrived. But then, she grew tired, and the quiet snaked up your body again, a return so fast and definitive, her hoarse voice then seemed like the kind of dream you remember only in muted flashes as you drink your first coffee, barely sentient.
You have come to treasure these hours of dark, fragile silence. Before, they scared you, when you were new to the perimenopausal sleep disruptions and hot flashes. Then, you lay there, a puddle of sweat pooling in that cavity below your breasts, and felt your head swirl in a spiral of anxiety. Why am I awake? How many Zoom meetings will I have to attend tomorrow? Can I skip my morning workout?
Now though, you lie there, eyes on the lights that are never turned off in the curtainless apartment across the alley, and you can feel the quiet wrapping itself around you, cool against the heat of your skin, soft and feather-light, a loyal friend when you could be the most lonely, but you’re not, you’re not. The perfect silence is visiting you, as it does every night, and you are grateful for its reliability, the non-judgy way it simply exists, its lack of curiosity about everything you do in the day, or everything you leave unfinished. There is no one else who accepts you this fully, no one else who can hold you and never ask for anything. A mercy, you think, to understand what these two isolated hours every night can give you. The rest of the world is boringly, expectedly asleep. This is yours alone.
Jen Sookfong Lee delivered a reading of this piece during the Silence panel at the 2025 Fraser Valley Writers Festival.

Jen Sookfong Lee was born and raised in Vancouver’s East Side, and she now lives with her son in North Burnaby. Her books include The Conjoined, nominated for International Dublin Literary Award and a finalist for the Ethel Wilson Fiction Prize, The Better Mother, a finalist for the City of Vancouver Book Award, The End of East, The Shadow List, and Finding Home. Jen acquires and edits for ECW Press.
