Saturday Morning
Ali Blythe
2023
Here are the only things I’ve ever
had to say about acceptance.
One has to accept
the tense of a feeling and
One must accept
one’s own sustenance or starve.
I was so directive once.
But even back then
I was talking to myself,
and myself as miscreation.
I’m thinking about all this
in our bed, where I’ve awoken
in the apostrophetic
darkness, to find I must,
once again, push
the button for morning
with my mind
by imagining I glow
around the edges
just like it.
So I may sweep slowly upward.
So I may be opened unto.
The enigmatic doorman
has once again left me
his dark blue suit.
The unlaundered dawn.
With two neat rows
to weave. Gold into holes.
It’s always the same.
As he withdraws,
naked as a jailbird, he calls:
This is all you will have
for eternity! Then I turn
to look at my beloved,
who is my true beloved.
This suit, my only suit.
And so I begin. My old
fingers, poorly assembling.
Though some part of me,
by Jove!, will have run off,
back into my bare sovereignty.
In a lifetime,
it is acceptable
to envy the authorship
of only one line.
Mine is:
The suit I wore
tomorrow,
my laundress
has not laundered it.
Yes, Vallejo. But it could be
my beloved talking,
in her floating language
of beautiful but impossible
tenses. Tonight, I tell myself,
tonight, I left
a note in the breast pocket.
The one I press
my hand to now. It’s a riddle
about transience, for the doorman.
What must you accept
newly every day?
Listen, I know it could happen
at any moment. One of us
will bring a hand to our chest
before letting go, entirely.
Of the answer to the riddle.
You’ll stay with me, I hope,
just a moment or two,
I’ll stay with you, I say
into the air. A cold animal,
insistent against the heat of us.
What must you accept
newly every day?
The answer is the body,
of course.
It could be on a Saturday,
morning, I’ll add, like this one.
Ali delivered a reading of this poem during the Accept panel at the 2023 Fraser Valley Writers Festival.

Ali Blythe is author of critically acclaimed collections exploring trans-poetics.
His latest, Stedfast, writes marginality into the canon by breaking the fourteen lines of Keats’s last sonnet “Bright star, would I were stedfast as thou art” into a sequence of twenty-eight titles. Blythe’s poems and essays are published in national and international literary journals and anthologies, including The Broadview Introduction to Literature. Of Blythe, Stewart Cole has written “It’s exciting to see a writer so conscious of building a body of work within and across collections, pursuing not just a set of ideas and concerns but an artistic vision.”